Topics

Portraits, street scenes, and the choices inside a frame. Essays on making photographs, reading them, and spending time with the details a first look can miss.

Pictures and the words we put around them. Notes from the gallery, questions from the reading room, and longer essays on the ways an image can be understood.

A bright rim, a shaded face, or a color changing after dark. Looking at how light shapes an image and changes our understanding of a room.

A portrait, a painting, or several photographs can give an essay its starting point. Follow the images as their details shift the direction of the writing.

Streets seen on foot, rooms seen from a chair, and buildings read through their smallest details. Follow the journal outside and find a different position from which to look.

Pages, proportions, and the things people arrange with care. A look at how design shapes what we notice, from a printed spread to the edge of an everyday object.

Rooms arranged for work, listening, or an unhurried look outside. Stories about the furniture, surfaces, and small adjustments that give an interior its particular character.

Working surfaces, unfinished versions, and decisions made along the way. Stories from the space between an initial idea and the moment a piece is ready to leave the studio.

Following a particular hue through photographs and ordinary objects. Essays on the neighboring colors, surfaces, and empty spaces that make one small area hold our attention.

Photographs on paper, working proofs, and pages returned to the table. Exploring the choices that become visible when an image or a piece of writing is printed.

Books, printed pages, and the words placed beside images. Stories about reading closely, returning to a passage, and finding a useful question in someone else’s work.

Objects brought together on a table or found already arranged in the street. Studies of the spaces around them, their outlines, and the traces of use.

Paper that keeps a fold, fabric that softens a face, and wood marked by a hand. Looking closely at surfaces through making, handling, and everyday use.

Ceramic vessels, familiar tools, and shapes found in unexpected settings. A closer look at the things we handle, arrange, keep, and sometimes choose simply for the way they look.

Buildings read from the sidewalk, through a window, or on a sheet of paper. Following proportions and the details that connect a structure to its surroundings.

Questions that begin with a particular detail, and discussions that continue after a shared experience. Writing about listening, asking more precisely, and leaving room for another answer.

The work of cutting, joining, shaping, and trying again. Stories that stay close to a material, including the awkward versions that help explain a finished object.

The cinema before the lights come up, and photographs considered as sequences. Stories about the movement between images and what remains after the final frame.

Titles, letterforms, and the way words occupy a page. Looking at the small decisions that make a piece inviting to enter and comfortable to read.